Paper becomes a space for experimentation, translating ideas through texture, layering, and editions. I can build gestures through erasing and create shadows and traces that reveal the movement of my hand. This series of works emerges from my experience as both a musical performer and a spectator, seeking to capture the sublime experience of sonic and sensory gestures through images. The works explore the idea of the afterimage, not merely as a static memory of a fleeting experience, but as something that continues to exist within and shape my consciousness. Through these images, I attempt to translate the ephemeral qualities of sound, movement, and sensation into a visual language that lingers beyond the moment itself.