"A flying fish moves from the depths of the sea toward the surface, following the direction of the light coming from above. The vast, dark ocean becomes the space it leaves behind, while the water’s surface becomes a threshold toward a space it has yet to know.

The movement of the fish becomes an image of transition—from something familiar toward something unknown. There is no certainty about what awaits beyond the surface, yet the movement continues, slowly leaving the depths behind and moving closer toward the light.

Into the Sun presents movement as a choice to leave a familiar space—not because the path ahead is certain, but because there is an impulse to keep moving toward something brighter."