Cynthia Delaney Suwito Indonesian, b. 1993
while we wait (I), 2021
digital print on acrylic sheet and acrylic pain ton paper
40 x 70 cm (Variable dimension)
Coloured seats, leaning on walls and standing while holding onto hand grips. Commuting by train is part of many people’s daily life. Like the sea of people during rush hour,...
Coloured seats, leaning on walls and standing while holding onto hand grips. Commuting by train is part of many people’s daily life. Like the sea of people during rush hour, a sea of colours also comes in and out of each carriage. Collected like a catalogue, colours of people’s clothes are collected and archived in the process of making this work. Recording the often forgotten people we meet on our daily commute in the form of colour representation is a way of remembering and acknowledging our shared experiences.
Rows and rows of people sitting on bright coloured seats, leaning on walls and standing while holding onto hand grips. Commuting by train is part of many people’s daily life. Like the sea of people during rush hour, a sea of colours also comes in and out of each carriage. Collected like a catalogue, colours of people’s clothes are collected and archived in the process of making this work. Recording the often forgotten people we meet on our daily commute in the form of colour representation is a way of remembering and acknowledging our shared experience.
Rows and rows of people sitting on bright coloured seats, leaning on walls and standing while holding onto hand grips. Commuting by train is part of many people’s daily life. Like the sea of people during rush hour, a sea of colours also comes in and out of each carriage. Collected like a catalogue, colours of people’s clothes are collected and archived in the process of making this work. Recording the often forgotten people we meet on our daily commute in the form of colour representation is a way of remembering and acknowledging our shared experience.
