Adi Dhigelz
Semua Sedang Tidak Baik-baik Saja, 2026
Kolase dari cetakan Test Print
70 x 48 cm
'Karya berjudul ''Semua Sedang Tidak Baik-baik Saja'' (2026) berukuran 70 cm x 48 cm ini memotret kesemrawutan realitas sosial dan politik masa kini. Melalui medium kolase cukilan dari hasil cetakan...
"Karya berjudul ""Semua Sedang Tidak Baik-baik Saja"" (2026) berukuran 70 cm x 48 cm ini memotret kesemrawutan realitas sosial dan politik masa kini. Melalui medium kolase cukilan dari hasil cetakan testprint yang pernah dibuat beberapa tahun lalu, dari hasil cetakan yang tidak sempurna, kurang peka yang sudah tak tersentuh lagi. karya ini adalah cara saya melempar kritik tajam terhadap negara yang sibuk menjalankan deretan program pemerintah—seperti PSN, Kopdes, dan MBG—namun abai pada dampaknya di akar rumput. Ironisnya, ketika masyarakat melayangkan kritik atas kebijakan tersebut, mereka justru dihadapkan pada algoritma konflik horizontal yang sengaja diciptakan sebagai pengalihan isu agar fokus publik terpecah.
The work entitled ""Everything Is Not Fine"" (2026) measuring 70 cm x 48 cm captures the chaos of today's social and political reality. Through the medium of collage, cuttings from test prints made several years ago, from imperfect, insensitive prints that have been left untouched. This work is my way of throwing a sharp critique at a country that is busy implementing a series of government programs—such as PSN, Kopdes, and MBG—but ignores their impact on the grassroots. Ironically, when the public criticizes these policies, they are instead faced with a horizontal conflict algorithm that is deliberately created as a diversion to divide the public's focus."
The work entitled ""Everything Is Not Fine"" (2026) measuring 70 cm x 48 cm captures the chaos of today's social and political reality. Through the medium of collage, cuttings from test prints made several years ago, from imperfect, insensitive prints that have been left untouched. This work is my way of throwing a sharp critique at a country that is busy implementing a series of government programs—such as PSN, Kopdes, and MBG—but ignores their impact on the grassroots. Ironically, when the public criticizes these policies, they are instead faced with a horizontal conflict algorithm that is deliberately created as a diversion to divide the public's focus."