Rose Cameron Philippines, b. 1965
The Sun Just Kissed My Cheeks, 2024
acrylic on cotton canvas
114.3 x 88.9 cm
The memories of my childhood in the Philippines have always been elusive, yet their occasional emergence leaves a poignant and profound impact. This series serves as a testament to three...
The memories of my childhood in the Philippines have always been elusive, yet their occasional emergence leaves a poignant and profound impact. This series serves as a testament to three distinct memories that have shaped my reflections on the past. Each canvas acts as a symbolic representation, intricately capturing the layers, complexities, and nuances of my upbringing.
In She Came To Play The Piano, I delve into the intricate dynamics of my father's extra-marital affairs, navigating the mystery it entailed and the challenges it presented to my mother. The Sun Just Kissed My Cheeks portrays the profound significance of my darker skin tone, reflecting on the cultural and societal perceptions it embodied. The third piece, It's Inappropriate To Wear Red, explores the structured environment of my upbringing, vividly depicting the values and perspectives that shaped my formative years. These artworks now share these once-unspoken truths.
Through these works, I embark on a journey of introspection, revisiting these formative experiences with newfound clarity and understanding. They invite viewers to explore the depths of memory and identity, prompting contemplation on how these early impressions have resonated throughout my life journey. These paintings serve me to reassess and reinterpret the impact of these unique memories as a woman, a mother, and an artist.
In She Came To Play The Piano, I delve into the intricate dynamics of my father's extra-marital affairs, navigating the mystery it entailed and the challenges it presented to my mother. The Sun Just Kissed My Cheeks portrays the profound significance of my darker skin tone, reflecting on the cultural and societal perceptions it embodied. The third piece, It's Inappropriate To Wear Red, explores the structured environment of my upbringing, vividly depicting the values and perspectives that shaped my formative years. These artworks now share these once-unspoken truths.
Through these works, I embark on a journey of introspection, revisiting these formative experiences with newfound clarity and understanding. They invite viewers to explore the depths of memory and identity, prompting contemplation on how these early impressions have resonated throughout my life journey. These paintings serve me to reassess and reinterpret the impact of these unique memories as a woman, a mother, and an artist.
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